![]() Transformer traces the primacy of the Krebs cycle-and its reverse-from deep sea hydrothermal vents and the “Cambrian Explosion” to the individual, yet universal, experience of aging. Along the way, Lane brilliantly recounts the scientific detective work that discovered this process while deconstructing textbook views about metabolism. ![]() In Transformer, Lane guides readers through the “conflicted merry-go-round of energy and matter” that is the Krebs cycle. Biochemist Nick Lane is among the vanguard of researchers who ask how this complex, contradictory pathway of creation, destruction, and renewal within our cells could help us understand questions from the origins of life to the devastation of cancer. Generations of students have learned how the Krebs cycle generates the building blocks of life and fuels the furnace of respiration. ![]() A renowned biochemist’s illuminating inquiry into the Krebs cycle and the origins of life. ![]()
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![]() ![]() Zahra uses Aladdin’s desire for vengeance against the drug-addled king’s brother-the sadistic power behind the throne-for his revolutionary parents’ deaths and the ill treatment of the peasantry. Other jinn quickly offer her a bargain from their ruler: he will free her from the lamp if she rescues his son, imprisoned in Aladdin’s home city-a deal with a strict time limit. Jinni Zahra, long imprisoned in her lamp, has languished for hundreds of years in a dead city as punishment for a mysterious transgression against her kind, one that also resulted in the betrayal of the warrior queen who last held the lamp, whom Zahra still mourns with the term of endearment “Habiba.” A young thief guided by a magic ring finds the city and lamp, freeing her. A Middle East–inspired fantasy version of “Aladdin and the Magic Lamp.” ![]() ![]() ![]() ![]() By AUTHOR Jane Austen Eric Carle Lewis Carroll Roald Dahl Charles Dickens Sydney Hanson C.Indestructubles Little Golden Books Magic School Bus Magic Tree House Pete the Cat Step Into Reading Book The Hunger Games By POPULAR SERIES Chronicles of Narnia Curious Geoge Diary of a Wimpy Kid Fancy Nancy Harry Potter I Survived If You Give.By TOPIC Award Winning Books African American Children's Books Biography & Autobiography Diversity & Inclusion Foreign Language & Bilingual Books Hispanic & Latino Children's Books Holidays & Celebrations Holocaust Books Juvenile Nonfiction New York Times Bestsellers Professional Development Reference Books Test Prep. ![]() By GRADE Elementary School Middle School High Schoolīy AGE Board Books (newborn to age 3) Early Childhood Readers (ages 4-8) Children's Picture Books (ages 3-8) Juvenile Fiction (ages 8-12) Young Adult Fiction (ages 12+).BESTSELLERS in EDUCATION Shop All Education Books. ![]() ![]() A lapel pin can be also seen attached to his padded overcoat. ĭuring the Yokohama fog incident, Dazai wears a white waistcoat over black long sleeves and a brown tie, together with white pants. Īfter the cannibalism, Dazai wears a formal suit during the Agency's celebration. At some point, he was able to regain the use of his right arm. ![]() He also wore bandages over his right eye and his right arm is in a sling-presumably products of his suicidal pastimes. He also dons beige pants, dark brown shoes, and has bandages wrapped around his entire body only his face, hands, and feet are left uncovered.īack when he was in the Mafia, Dazai wore a black trench coat that reached under his knees. He wears a bolo tie, which is held by a brown ribbon and a turquoise pendant. ![]() Under it is a black vest over a striped dress shirt that is light blue in hue. He is quite tall and slim in terms of physique.įor his attire, Dazai wears a long sand-colored trench coat, the belt of which he leaves untied. ![]() His bangs frame his face, while some are gathered at the center of his forehead. Dazai is a young man with mildly wavy, short, dark brown hair and narrow dark brown eyes. ![]() ![]() ![]() Reading more like a series of encounters-vignette-windows through which we observe snapshots of a life-than what we traditionally consider a novel, the book is a formal embodiment of the person it introduces us to. She is indeed something of an afterthought, both to herself and the reader, as we come to learn during our brief, 176-page journey with her. This intimate self-awareness is such a heightened presence in Whereabouts that it might be considered the book’s protagonist, separate from the middle-aged woman embodying that consciousness who moves about an unnamed European town over the course of a year in the novel’s pages. ![]() ![]() These are the words of the “great writer” Corrado Alvaro, recalled by the narrator of Jhumpa Lahiri’s fourth novel, Whereabouts, in a chapter titled “At Dawn.” Observing the cyclical, predictable rise of the sun on a winter morning from her rooftop, she watches “until it’s no longer possible, until it becomes too painful.” Then her mind wanders to the above fragment of language wherein another thinker, like her, is pained by the questions of worth and visibility that the sun provokes each morning. ![]() After a while, terrified, I flee from the shadow of the enormous flaming orb: I fear it will consume me I can’t concentrate, everything seems futile, life itself seems banal, it no longer matters if no one pays any attention to me, if no one ever writes to me again. ![]() ![]() ![]() But verbal echoes are not the only evidence for Chaucer’s indebtedness to Jean de Meun. ![]() Of the ninety lines that make up the narrative portion of the tale, twenty or so are close imitations of the Roman, where it appears as part of Reason’s discourse on the superiority of love to justice. As commentators long have recognized, however, this attribution merely translates a line – “Si con dit Titus Livius”– from the Roman de la Rose, and thus signals Chaucer’s dependence on the condensed retelling of Livy’s anecdote in Jean de Meun’s portion of the Roman. The Physician names Livy as the story’s author in the opening line of his tale. The story of the maiden Virginia, her father Virginius, and the corrupt judge Appius that forms the basis of The Physician’s Tale began life as a piece of Roman historiography – perhaps invented to illustrate the abuse of power by the decemviri – and found its definitive form in Book 3 of Livy’s history of Rome. John of Wales, Communiloquium 559 (Venice, 1496) ![]() Vincent of Beauvais, De eruditione filiorum nobilium 553 (ed. ![]() Guillaume de Lorris and Jean de Meun, Le Roman de la Rose 549 (ed. ![]() ![]() ![]() ![]() ![]() Sams II and Jean Stoick's new children's book Tea with Lady Sapphire: Sharing the Love of Birds.Wildlife photographers and authors of children's classic Stranger in the Woods, take kids on a journey into their own backyard where birds and critters are the featured guests at various feeding stations, including a snowman with a floppy-eared hat full of tasty treats. Birds, nature and the relationship between a grandma and her grandchildren are the theme of Carl R. ![]() ![]() ![]() ![]() Each book seems like essentially the same story but with different character names. I really think the character of Tegan (loved how much he cusses, a man after my own heart) saved this story for me. I don't know this series is starting to run together for me. I do like how the author replaced the role of villain Marek with an on the loose Ancient (alien who crash landed on earth or original vampire), keeps the story fresh and keeps the series going. Wished Marek (the villain) would have had more of fighting end or standoff, he was built up to be a mad ass mofo then just kind of whiffed at the end. The author is really good at setting the scene but seems to lack skill when it comes to the characters. Added more tension between Elise and Tegan but there could have been more in my opinion. I like how the booty scene came in the last half of the book. ![]() ![]() Elise uses Tegan first with drinking his blood to become strong again which in their society is a disrespectful move, breedmates are only suppose to drink blood from their bonded mates. They have such a strong chemistry together. Ooh I like the animosity between Elise and Tegan. Looks like the author is going to have to find a new source of conflict for Elise and Tegan. Elise already knows about the Breed and has in fact be living in one of the Darkhavens (little communities for vampires and breedmates). I like how the author is shaking things up a bit with this book. ![]() ![]() ![]() ![]() The entire novel in 1920, using characters and situations from "The Manuscript of The Lost Girl subsequently declared that Lawrence wrote Striking contrast between the narrative style in the two parts and theįact that the second half featured observations and places related to Many critics and scholars assumed initially that The Lost Girl wasĪ bifurcated text, with roughly its first half having been written inġ913 and its second half written in 1920. Narrative fragment called "Elsa Culverwell," would eventuallyįorm the basis of The Lost Girl, which Lawrence wrote and published inġ920. Of Miss Houghton" in Germany in 1913, he had no idea it would be Lawrence left the manuscript of "The Insurrection APA style: From Insurrection to Incoherence in D.Lawrence's The Lost Girl." Retrieved from ![]() Lawrence's The Lost Girl." The Free Library. MLA style: "From Insurrection to Incoherence in D. ![]() ![]() ![]() Here’s the decade where postwar America solidified its conservative approach to sex, where the small screen of Television began its attack on the big screen of Hollywood, and when the paranoia of Eugene McCarthy worked hard to destroy the careers of anyone who did not tow his line. In this thorough and academic volume, Gehring explores a dozen critical comedies of the 1950s. I’m not saying this guy is obsessive about film, but this guy is obsessive about film. When this recent tome concluding his trilogy of 20th century comedies arrived, I took the time to look up the author’s bibliography and was impressed by the multipage list of titles he’s already produced. Gehring McFarlandĪ few months ago, I covered a book on Charlie Chaplin’s career by author Wes Gehring. Movie Comedians of the 1950s: Defining the New Era of Big Screen by Wes D. ![]() |